So You Want to Be an Author: The Beginning

You pick up your pen and paper, a cup of coffee and head to the porch to write. Maybe, but probably not. Instead, you turn on your computer and open a blank document. (Don’t forget your coffee.) You begin to type out word after word. After an hour or so, you decide that you may have something going. This being an author isn’t so bad!

Once you have something worth sharing, you must decide what to do next. Writing is only one phase of becoming an author. It’s not even the first phase. Often research must precede writing so that details can be accurate, so accurate that no one can question your validity. You can’t state that the Challenger exploded in 1986. It was NASA’s thirteenth mission, an unlucky number for sure. Yes, the Challenger did explode in 1986. Yes, thirteen is an unlucky number. But the Challenger was NASA’s tenth mission, not the thirteenth. Accuracy counts. Or you might need to walk through a wooded area to identify sounds, smells, heat or cold and swat a mosquito or two. You might even break a leaf from a plant or pluck a blossom and taste it, just to see what tempts a worm or bee to feed there.

Let’s assume that you have your details intact. You now must have people in your head. Are these people you know? I hope not! You can take a quality or two from one person and a quality or two from another, but to paint an accurate picture of someone who might recognize himself can lead to a letter from his lawyer. End of that story.

Characters have to act and react in order for a story to escalate. Without tension, a character’s yearning for something that seems to be unattainable, you have no story. You may have a character sketch, but not a story. So you throw an obstacle in his way. He battles, but recovers. You throw another in his path. He battles, but recovers. You follow the pattern until you slap him with something that seems insurmountable. Now he has to make a life-changing choice. What does he choose? If his choice leaves him with loss, it’s tragic; if he wins, he’s heroic.

You have a story. You revise. And revise. And revise again. Why? Because most first drafts are usually shitty – unless you are Emily Dickinson. You read for grammar and spelling errors. Your computer can help you here. So you are finished. No way! You read for sentence structure to see that every other sentence doesn’t begin with the word “He.” You manipulate sentences so that you follow a series of long sentences with a short, quick sentence, only a couple of words. Remember that Bible verse you always pulled out when the teacher asked for your memorization for the week? “Jesus wept,” of course. Two short words that encompass the heart of the crucifixion.

Now you are ready to submit the revised copy. Not so fast. Have you read the story aloud to check places where you stumble? Rework those. Have you read from the end to the beginning to see if your fingers typed what your mind told them to click out? Rework again. Typing out the draft is only the beginning. Think about it this way: creating the story = 10%, reworking the story = 90%.

Your story now is your baby. It’s beautiful. The theme will alter minds for generations. The characters will be quoted for decades. Back off, Alice Munro and Edgar Allen Poe. Your match is here! It’s likely the best story to be published this year. It will bring you fame. Oprah will call with encouragement to expand your story into a novel. Not likely. But you are now ready to enter the business world of publication. If not, you will put your story in a drawer and go out to weed the garden.

I invite you back next time to learn what your responsibilities are for getting that beautifully crafted, career changing, life altering 2,500-word piece before the public. See you then for “So You Want to Be an Author: The Business of Writing.”

A Summer Camping Trip

 

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My sister and me a couple of years before the camping trip.

Hi ya’ll. It’s Cooper. Today is Tuesday! Just a few days until the Boo Folk come a-callin’. We, my lady and me, plan to serve Vampire Blood! Every little Boo gets to keep his witch cup! I can hardly wait to see what appears! Last year my lady was a tree. She dressed in a brown hoodie and brown sweats and pinned little tree branches all over. She was such a good tree that the Boo Folk didn’t realize she was a person!

This story tonight comes from a longer work called The Southern Gentle Man. It’s the story of her dad and what he did to make life full for his children.

Paws a minute. You want to read this one. Remember to comment at the end. My lady needs those so editors will consider publication!

Signing off now. Woof! Woof!

As Always, Cooper the Cocker

Our family went camping the summer before my eighth-grade year. We went in two cars, Daddy’s 1953 rounded Chevrolet, and Uncle Clint’s boxy black Model A. Destination: Black Water swimming hole where Daddy swam as a child.

We numbered eight campers, no dogs. We carried one water-resistant tarpaulin and roped its grommets among tree trunks to serve as a shelter, a legged iron skillet or two, and the speckled blue enamel coffee pot Daddy took on hunts. The kitchen logic: if it cannot be cooked in a skillet or boiled in a coffee pot, it cannot be cooked.

What did cook in an iron skillet and cook good was our breakfast. Grown-ups had bacon, eggs, biscuits. We younger ones had green apples from our back yard, unpeeled and sliced, then fried in butter and coated with sugar.

Clad in shorts and halters, we dog-paddled in hill water cold even in August. We cut trails with Daddy as he pointed out this and that. We saw snakeskins, animal tracks, hunters’ boot prints.

On one of our walkabouts, we came upon the vertebra of some long dead beast. Mule? Horse? Cow?

Something big.

Nobody wanted to touch the bones. But me. I had made a find, as exciting as the discovery of Tut’s tomb. I wanted them all, but grown-ups claimed “No. No room.”

I confiscated two pieces that fit together just right. I left the trail convinced I carried in my hands a guaranteed A for eighth-grade science.

I took the vertebra to school that fall and gave my two bones to my science teacher Wallace Hallmark, who exhibited them in a glass cabinet.

Through the next two days of our campout, I gloated. I strutted.

Until it rained.

The third night it rained. Rain turned to storm. Daddy and Uncle Clint wrestled against the tarp to keep it from blowing away. Came thunder and lightning, and we ducked for the cars. We left everything else to the elements. Except my bones.

Daddy, Mama, and Aunt Emoline, Clint’s wife, shot into the Chevy. Uncle Clint, my sister, me, and Aunt Emoline’s grandchildren, Julianne and Frankie headed for the Model A. Why four kids would stack into the smaller car is one of those freak happenings of nature, brought on perhaps by the unnatural amount of electricity in the air.

Rain rained all night. We sweated. We squirmed. We wanted out. Lightning kept us in. We tried to sleep. We had dirty feet in faces, sweaty faces stuck to leather, arms tangled in arms. Trying to sleep kept us awake.

With morning came release. Grown-ups gathered up iron skillets and the coffee pot and put them in the Chevy. No need to douse out the rock-rimmed fire pit. Rain had done that the night before.

Daddy, with Mama and Uncle Clint in the Chevy, chugged through mud, searching for a solid road home. Aunt Emoline followed the Chevy ruts and drove us four kids home in the Model A. The appearance of light provided much more room in that crammed car than had the darkness. This time we fit.

That storm ended our camping endeavors. And I did get an A in science!

An Ordinary Place

Even’ Folks, It’s me again. Cooper the Cocker, back to give you something to think about.

Today my lady and I were thinking about God and where God might be. Notice that I didn’t say “He,” because God might just be “She” or “He/She.” Well, as Jim the slave in Huck Finn says, and I paraphrase, I ain’t got no answer to that.

So we found this chunk of poetry written by Elizabeth Barrett Browning. She calls it “Aurora Leigh.” I don’t think she’s related to Barrett Jones the former UA football player, but I’m not sure. BTW” Did you know that guy holds more awards than any previous UA football player? And he is cute, too!

Back to the topic: Where is God I especially like the Browning quotation because in an indirect way it sorta includes me and all my furry fellows – in a way – sorta.  

Aurora Leigh by Elizabeth Barrett Browning (in part)

Earth’s crammed with heaven,

And every common bush afire with God;

But only he who sees, takes off his shoes

The rest sit round it and pluck blackberries.

Now isn’t that nice? Not that blackberries aren’t nice, but opening our eyes and seeing what surrounds us can make even green blackberries taste better.

See you next Tuesday, As Always, Cooper the Cocker Woof! Woof!

Letter from Vicksburg 1863

Hi again. It’s me – Cooper the Cocker.

Do you recognize this Civic War Memorial? It’s in Vicksburg, MS. My lady has done a lot of studying about this siege. It was a terrible summer for soldiers and civilians.

Vicksburg_National_Military_Park

Women and children lived in hollowed out caves on the eastern bank of the Mississippi just to survive. So what might that summer have been like? Read my lady’s story below and see. You will learn a lot and perhaps decide that the life you have now is not so very bad.

Special thank you to Adam Lang for helping with the geological information.

This story was published in the latest edition of Longleaf Style magazine, Anniston, AL. Paws with me and let’s read! Woof! Woof!

As Always, your furry pal, Cooper

Letter from Vicksburg, 1863

May 20

Dearest M,

I dare not use your name lest you be associated with my time here. Please destroy this correspondence as soon as you read it.

As you know, Capt H brought me to stay with my Auntie V when Sherman overran Jackson and blocked our return to Mobile by destroying the rails. Yankees have held Vicksburg under siege since May 18.

When I arrived by rail May 5, I refused to leave Auntie’s home. It was not until a cannon ball uprooted a camellia that shaded the south veranda yesterday during heavy shelling that I recognized our true danger. I was sitting in that shade, Dear M, when dirt showered down on me like rain. At that point, Auntie and I ran down the bluff on which her house sits. I had to drag my slave J with me all the way. She is such a simpleton.

We moved into the cave Auntie had her manservant cut into clay before he disappeared. It was just before the cannon hit that we learned Grant had moved south from Memphis and Farragut had blockaded New Orleans and sent vessels north.

My residence is quite primitive as I am forced to live the life of a backwoodsman with only a bed and chair for comfort. J cooks our food on an open fire at the entrance. With what little money I have, I send her up the bluff and into market when shelling is light. She cries and begs to remain with me in the cave, “Them guns they scares me, Mz R,” she says. I tell her to get up off the floor, and I send her on her way. I must eat.

May 23

The earth here is unlike any I have known. It looks like white clay. It is soft and hard at the same time. It can be cut easy as butter. If it is cut perpendicular, it stands strong as a wall and holds its shape, so unlike Alabama riverbank clay. Cut it on an angle, and it crumbles. Locals call it loess.

Before I arrived, multiple caves had been carved into these bluffs for shelter against the Yankees. Each cave is one or two rooms with an opening facing the Mississippi. From the western banks, the bluffs must look like gigantic honeycombs. Shelling and shooting have been constant since we moved underground`, but it rarely reaches us here.

June 6

Auntie V is dead. She died from dysentery. I laid her near the back wall, for J refused to go in and out the entrance if she could see Auntie. “Don’t make me go past no dead body,” J begged. No amount of beating would make her go foraging, which she must do now, for my resources are gone and there is little left to buy. The burial brigade called from above the next morning, and I answered with “Female body. One.” I know not where she was taken.

How lonely here with only myself and J.

June 17

It was after the moon rose that the soldier came. He had crawled to the entrance, but he could not make it over the ledge J cut to block heavy rain. J found him before the sun rose. She ran into the back room where we store what food and water she manages to gather. I have my bed there so she cannot steal what I have. She awakened me, jabbering about a dead man. She hopped up and down, pointing toward the entrance, her eyes round as a cow’s.

He still lived. We dragged him across the threshold, clay crumbling beneath his weight.

The soldier, a Yankee, would tell me between gasps that ruffians found him on the outskirts of town and beat him with axe handles. They threw him over my bluff for dead. Perhaps they thought he would sink in the Mississippi as it has been high several times since I arrived.

I pulled him and J pushed. We laid him in my bed to hide him from the cave’s opening. I sent J to Auntie’s house for petticoats to use as bandages. We have no sulfur or lard to make salves. But J took some of the wood she had stowed and traded it among her people for healing herbs.

He moans days and cries out at night. The leg festers and swells. I have to bring out the leather strap to make J cleanse his wounds. His body is battered, but his most serious injury is his lower calf where bone sticks through skin three inches or more. All we can do is wrap the leg to keep away flies.

June 19

He does not improve and is often delirious. The wound is shades of purples, greens and, in places, black. The stench of rot fills both rooms of the cave.

I doubt he will survive the leg.

June 21

How I have tossed about my choices, Dearest M. Yankees come from all directions. Our soldiers have been crossing from the western bank at night to visit family or, I am ashamed to write these despicable words, to desert. When I am discovered, how will I explain a Yankee in my bed when Capt H has spent these last 35 days of siege defending his Confederacy? Defending me his wife?

June 24

J ran away last night. I am alone with the Yankee. I sent her yesterday to find meat. She returned carrying a fat skinned gopher tied to an oak limb. This is all that remains. Two weeks ago, I refused for four days to eat soup made from bark and a dog skeleton she scavenged.

I understand why she ran. I would run myself, but I have no place to go. And I have the soldier.

J will not survive unless she meets some of her kind beyond the embankments surrounding Vicksburg, for she knows nothing that is true and lacks direction unless I tell her what to do.

You recollect her. Capt H bought her across the river from Tuscaloosa before she could walk. She and her mother who came to cook for us. Her mother jumped to her death from our barn loft while she was heavy with her next child. It died. Capt H said, “No matter.” I was surprised at his lack of concern, for he places high value on his house slaves. But I digress.

It has fallen to me to feed and bath him. His body differs so from Capt H, who is fair. He has much coarser hair and it covers his entire body. While here, he has grown a beard that tints red when I hold the candle near. But his blood dries the same color as Capt H’s when he cuts his cheek shaving.

June 25

The young man worsens. I groped my way up the bluff last night while there was a new moon. I took an axe Auntie had hidden under the woodpile and brought back as many logs as I could carry. Coming down I slipped and dropped several, but I believe I have enough for a fire to cleanse the axe. I have heard stories that one can chop off a leg at the knee. If the leg is tightly bound at the hip, the patient will not bleed to death. The only thing left to do is sear the wound.

I go now to build a hot fire.

June 26

I could not do it, Dearest M. I lifted the axe over my head and aimed at the putrid leg.
As I was about to drop the weapon with all my strength garnered toward that point, the boy opened his grey eyes and whispered, “I cannot live without my leg.”

He knew!

How like a monster I must have seemed. Perhaps he saw only the raised axe. I do not know. The agony in those young eyes forced me to relax. He closed his eyes and waited. Yes. He knew.

I clinched my teeth and slammed the axe blade into his face.

June 28

Last night late, I whittled out bloodstained clay from the walls and scattered it over the floor. I managed to roll the boy whom I now call Isaac over the bluff, and I burned the bloodied bedding. The cave is hot as Hades.

June 30 I received word from a group of stragglers, more of our soldiers flooding the city this morning, that Capt H crossed the Mississippi under cover of darkness last evening. He should be here mid-day.

Your loyal and devoted Cousin,

RH

Lt. Gen. John C. Pemberton, CSA surrendered his remaining 30,000 troops at Vicksburg, MS to Maj. Gen. Ulysses S. Grant, USA July 4, 1863. The City of Vicksburg would not celebrate the Fourth of July again until 1943.

Faith

 

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See this gentleman? This is my lady’s father, a man of undisputed faith. His faith in the truth of the Bible and the reality of Christ helped him over many a hump. This is a man who came to religion late in life, but embraced it so strongly that he read the entire Bible three times in three years. His was a faith that bolstered him day to day.

But placing faith in the wrong ideology can be deadly. So many people today have placed their faith in chemicals and self. They slowly deteriorate, and destroy all around them.

My lady has written a short poem about faith and how terrifying faith, faith of any sort, can become. She spoke from having lost faith once. Now she can two more  incidents. This poem was first published in Beyond Doggerel, Vol 3, #1.

So I’m out of here and you can read.

As Always, Cooper the Cocker

Woof! Woof!

Faith

The water moves slowly

Its scaly surface exact.

Venture too close

He will tow you away through infinite depths.

You scoff. But it happened

To me, once.

 

Watery sawdust floor sinking, rising, transformed

No priest-cloaked redeemer this

Soft muscle around naked feet, binding, a devoted dragging, until

I burst forth, recreated, choking on empty air.

 

Mere wind and sunlight, you say.

Like the predictable static scratch of lightning

On a Starry Night screen, you say.

He is easily explained away by science.

 

You cannot trust truth unexplained.

Yet even now he lies, iridescent and coiled

With mouth agape, swaying, waiting.

A Child Handed Down

Tonight’s such a beautiful night. I wish everyone of you could celebrate its glory with me. Seems I’ve been on this journey for such a long time now, but I realize that a dog’s year is really seven people years. I won’t complain.

Tonight’s story is a gifted on. That means the story came to my lady all at once. She typed it, sent it off to University of Alaska, and boom! they published it!

It’s a love story, but also sorta a sad story. I give it three woofs! See what you think it deserves. I think a three woof story is pretty good myself.

My baby sister is growing and eating and sleeping and running and galloping and gnawing and whining when she doesn’t get her way. That’s a girl for you! (Sorry, ladies! At least I didn’t accuse her of crying to get her way!)

Paws for a few minutes and read this story. It’s about a child who was stolen by a widow woman who had no children. Interesting outcome!

See you next Tuesday. Don’t forget to scroll to the bottom and make your comments!

As always, Cooper the Cocker

Woof! Woof! Woof!

 

Alma found the baby asleep under the back porch. Not yet two, it’d crawled in during the night and nested in an old dent Harry’s yard dog’d dug years ago. Using Harry’s hoe handle, she nudged it gently until it woke and dragged itself out. Before lifting it and carrying it into the kitchen, she sized it up and down, wondering if this was what she’d been waiting for these years and just didn’t know it. Twisting the yellow #2 pencil she wore in her hair like an errant twig, as if scratching out an answer to her own question, she whispered, “I God. Look at what we got here,” then took it inside, bathed it off and fed it hot oatmeal cooled down with cream.

          Alma had first heard the baby cry just before daylight, but she put the blame on having early morning grogs or going through late change miseries. After all, she told herself, she was fifty-seven. Or maybe, she thought, hearing things comes natural, her being a widow living alone at the end of the road these years. Whatever the reason, the thought of a child of her own made her heart beat stronger.

          During the day, she thought she’d hear whimpers, more whine than cry, like a puppy fenced off from its mama. She passed it off best as she could, but before nightfall, she searched out the sound.   

          “I’m Alma Tubbs. Harry’s wife,” Alma told the baby as she spooned in the mush. “No, better make that Harry’s widow, little one.” She shifted the baby in her lap. “Now, let’s see. What’s your name, you who dropped out of the nighttime sky?”

          The baby stared at Alma out of heavy brown eyes and said “MeMaw? See.”

          “I’m not your MeMaw, child. I ain’t nobody’s MeMaw,” Alma answered. “Fact is,” she continued quietly, “I God. Ain’t nobody’s nothing, reckon.” The baby nodded. “Bet you’re all tuckered out, crying all night and half the day.” So she made the baby a thick quilt pallet, wrapped it in her flannel pajama top, and settled the child on the floor next to the bed she’d last shared with Harry fifteen years ago. “Nice to have somebody else in the house, little girl,” she said as she turned out the light.

          The next morning Alma woke with the baby in bed with her. Curled in a ball, the baby fit beneath Alma’s breast as if it was part of her body Alma didn’t recall. She reached down and rubbed the back of her fingers across the baby’s cheek. “Soft,” she murmured. “Soft as a young spring leaf” and smiled, convinced the child was a gift handed down from God. From that moment on the baby was hers.

          At the time, Alma didn’t know the Covington baby was missing. As soon as she turned on the radio, the announcer interrupted the morning swap-shop to say the county was        looking for Mose Covington’s step-girl, who, so said Covington, wandered out of the house the night before. Though Sheriff agreed to lead the search, he’d hinted that he found it hard to believe that an eighteen-month old child could open the door, walk out into the dark and disappear without a trace. “Unless Mose had been a little more than drunk,” he chuckled. “Everybody knows Mose’s temper. He sure fire favors his liquor, specially when he gets to thinking about the little girl not being his own, and all, and what with the baby’s mother running off leaving him to raise their own boy and her girl-bastard as well.”

          Alma didn’t know, but she could guess. She didn’t want to know about the Covingtons and their problems. Sounded like white trash to her and one man’s trash . . ., so they say. As far as she was concerned, the baby had come to her on her own so the baby belonged to her. She didn’t look too different from any other baby, so folk’d be easy satisfied.

          Truth be known, this could’ve been Alma’s own baby. If she’d been thirty years younger, and if she hadn’t’ve lost all her own back then. A young wife, she’d buried three babies out back of the barn. None come to term, each less than four months into her carrying, babies who’d plopped in a bloody clump into the bedside chamber pot, stark red against speckled blue enamel. She’d poured each one into a fruit jar, sealed the top tight and buried it, each deep enough so coons couldn’t ferret it out. She never told Harry about number three since he broke most of her plates at the first one, then all her bowls at the second. After both times, grief drove him to sleep in the loft till weather drove him back in.

          Morning of the baby’s coming, as soon as she heard the car gearing down to make the hill, she ran to the window. She’d expected it. It was the law. She grabbed the Covington baby, a pillow, blanket, and matches. Ran out the back, past the barn, and under the hill, down the steps into the storm pit. She lit the candle so the baby wouldn’t have to know the dark again and put her on the blanket in the middle of the cement floor. Alma closed the door, flush against the ground. Before the sheriff had parked his car, she’d dropped cinder blocks on the door and pulled a downed bush over the opening. Harry’d built the pit strong, strong enough to make it almost sound proof, so if the baby cried, the sheriff wouldn’t hear.

          She met the law at the front door and told him she didn’t know nothing about a baby. Couldn’t see how a baby could get to her place, seeing as how she lived in a hollow surrounded by a creek and heavy woods, all the time twisting the #2 pencil as if writing words on the back of her head, words a sheriff might find pleasing.

          The sheriff thought the baby might’ve got lost and showed up here. The Covingtons lived through the woods behind her. Or didn’t she know? And the creek was lower than usual this spring, what without rain, and all. He stopped, staring at the pencil eraser sticking from behind Alma’s right ear, then finished with his usual “and all.” So frustrated with him ending everything he said the same way, she wanted to pull out her pencil and rub out what he said. But Alma let him talk, then showed him around, keeping her eyes away from the storm pit.

          After he drove back up the hill, she lifted the baby out and, holding it to her cheek, she promised on her soul that the baby’d never have to stay in the dark again. In the kitchen, she rocked her to sleep in Harry’s old chair.

          Within the month, Sheriff arrested Mose and charged him with murdering the Covington baby, though nobody’d found a body, as yet. The county farmed the baby’s four-year-old half-brother Mark out to a woman up in Sipsey who raised kids for a living.

          At the general merchandise, Alma let it be known in short chunks of sentences that her sister up North had a grandbaby she was too sick to raise, and she was going to Ohio to see what was what. She loaded the baby into her ’54 Chevy and left at daybreak the day before Mose hung himself in the county jail.

          Alma named the baby Dawn. In the fall, she brought her home and introduced her to folks, whenever necessary, as her own great niece from up around Cleveland. What people saw her praised Alma for taking on such a burden so late in life and urged her to move closer in. Alma stayed put. Never much of a mixer she told Dawn.

          Sheriff would come back to Alma’s again, this time to question why Alma hadn’t sent the child to school. He shouldn’t need to ask. Any man could saw in her eyes that this old woman cherished this child beyond measure and feared losing her more than life itself. When he threatened to send the girl to a foster home up in Sipsey, Alma took her and put her in the first grade. For the whole year, three o’clock and the teacher opened the door to Alma waiting to take Dawn’s hand. Dawn was eight.

 

          Alma was looking at seventy when Dawn had her first real sickness. They’d gone through measles and colds and the pain of the curse without much ado, but this one was different.

          Dawn drooped from place to place and had to be pushed to catch the bus for school. She’d never liked school anyway, said the kids teased her because she was fourteen and in the seventh grade. But Alma saw things changing. Natural dark skin looked faded, no light in her hair, as if Dawn’d been drained of life. She disappeared every morning before breakfast and refused to eat. Hot oatmeal cooled down with cream didn’t phase her. Days all she wanted to do was sleep, and Alma sat by her bed, with Dawn turned to the wall.

           In the second month of the sickness, Alma woke in the night and found Dawn gone, she called the sheriff to find her and bring her home. He had her back before daylight. Told Alma he’d found her, and all. Back in through the woods. That’s all she could get him to say.

          It was then Alma knew Dawn was having a baby. Though she’d never carried a child to full birthing herself, her instinct told her. When she told Dawn she knew, Dawn slammed out the back door and ran for the creek. Alma let her go. She’d be back. Dawn’d grown up with the creek and the woods. There’s where she spent most of her time these past dozen years. In the kitchen, moving back and forth in Harry’s cane rocker, easy like a slow gathering cloud, Alma scratched her head with the pencil and waited. Before sunset, Dawn walked in the kitchen door.

          “MeMaw,” she said hushed, “it’s getting dark outside.”

          “I know it, Baby,” Alma answered. She reached out her arms to draw Dawn in, but Dawn turned away.

          Three weeks’d passed before Alma got Dawn to talk about the baby. Every night Alma wandered through the rooms in her heart, searching for new people space in their lives, but she found none. Alma had filled each nook and cranny with her Dawn, with no space left. To squeeze two into one would pop her heart’s old thin walls and spill blood out so far her face would flush crimson.

          Dawn told Alma she meant to marry the baby’s father. That he lived on his daddy’s old place through the woods. Alma’s heart stopped, sending a dagger-deep stab the length of her arm and out through her fingers. The only place through the woods was the Covington shack. Alma’s right hand grabbed her left arm. It couldn’t be the Covington place. God wouldn’t do that to her. Besides, nobody lived there, had lived there all these years.

          “Yes, they do. Mark lives there. He moved back last summer when he finished school. He’s fixing it up for us and the baby,” Dawn argued. “We want to get married. I need you to take me to town. To sign for me. Please, MeMaw.”

          “I won’t,” Alma shouted. “I God,” she stammered. “I can’t.”

          “Sure you can. Just take out your pencil and sign.” Dawn smiled through the corner of her mouth. “I love him, MeMaw.” She looked so small standing before Alma, one hand resting on her flat little belly. “You can come visit. And play with the baby.”

          “You can’t marry him.” Alma’s heart pounded, sending her breath out in little short gasps. “You don’t know who he is.”

Alma clutched her throat to stop what she’d almost said. “You don’t know what you’re talking about. Listen to your old MeMaw.”

          “You’re not my mother.” She bent toward Alma, her eyes on fire. “You can’t tell me what to do,” Dawn shouted.

          “Don’t yell at me, Girl. I may not be your mama, but I raised you.” Hot anger shot through her veins and popped out her ears like a farm truck backfire. “I didn’t run off and leave you with no drunk and I didn’t let you wander off and get lost.” Alma broke her words into quick runs with deep gulps between.

          “What’re you taking about?” Dawn’s voice fell. “You said my mother died. You said my daddy was killed in the war. You showed me pictures.” Dawn dropped to the kitchen floor and looked up at Alma. “What’re you saying, MeMaw?”

          She leaned over and pulled Dawn into her lap, cradling her baby’s head on her shoulder. Boards unaccustomed to such weight in one place squeaked against the rocker. Heaviness the size of Jonah’s whale pulled at Alma’s arms. She recognized the smothering wet that lies in the belly of a fish larger than life itself, and she said, “You can’t marry this boy, Baby Girl.” She paused, and Dawn stepped out of her lap. Alma’s memory whispered “He’s your blood kin,” but her mouth never said a word. Alma stopped the rocker. It was as if she’d been belched out on deserted sand, so desolate she felt at knowing she’d let the moment pass. Unsaid.

          Starting the rocker back up, she took Dawn’s wrists in her gnarled hands and lowered her child to eye level. “I never said you’s my flesh and blood. I told you your mama died because as far as anybody was concerned she might as well be dead, leaving you like she done. And your daddy could’ve died in the war. Nobody knowed who he was. I thought it best that he died in the war than hanging in some jail cell by his own bed sheet.”

          Releasing her grip on Dawn, Alma shook her head, fearing now she’d said too much. The #2 pencil jarred loose and hung in a slant toward her shoulder. Dawn reached out to catch it before it hit the floor. “We’ll go North. Live with my sister, for a spell, then come back, if you want. When you’re over all this.” Dawn didn’t answer. “We’ll give it away to somebody who’ll love it.”   Dawn drew her hand away from Alma’s head and stepped back, bumping into the kitchen cabinet. She reached behind herself to stop her fall. “You don’t understand. You’re just an old woman. You don’t know what love is.” She looked at Alma and dropped to her knees, pulling out the drawer she’d grasped. “You never loved anybody in your whole life. Nobody but your own self.”

          Alma felt her face go white, like an over-bleached sheet, She barely spoke, “I don’t know. I thought I did.”

          “How can you say that, MeMaw? I’ll just die if you won’t sign.” Alma expected Dawn to stomp her foot like she usually did when in a tantrum, but she didn’t. “I never had a family. Now I can have a whole family all my own. And you’re being so selfish you won’t sign.” She glared at Alma. Then dropped her head. “I’m going to have a baby, MeMaw,” she wailed.

          Ignoring the binding in her chest, Alma lifted herself out of the chair. The yellow #2 pencil slid to the floor and rolled into the far corner behind the table. Harry’s rocker bumped empty on polished oak floor boards.  She laid one hand on Dawn’s dusky hair, the other on her own breast. “Get up, Baby,” she said.

          Dawn jerked from under Alma’s hand, and boosting herself up by the silverware drawer, she reached in and grabbed a butcher knife by its handle. She pulled it back, the point toward Alma.

          Breath barely moving her bosom, Alma lifted her hand slowly toward her throat, leaving her chest open.

          Dawn swiped the knife straight across the air between them, pricking Alma’s arm. Seeing a strip of blood form on her mother, Dawn dropped the knife and sobbed, “Oh, Memaw, what have I done?”

          “Nothing, Child. You ain’t done nothing at all,” Alma crooned. “I’m the blame,” she said.

          Dawn ran out the back door, clutching the knife before her. Alma followed her and found her crying in the storm pit, the slab door flung open to the sky. She lit a candle and sat down on the wooden bench, slipping her right arm around Dawn’s waist. Dawn dropped the knife with a clink to the concrete floor. Between sobs, she said, “What’re we going to do, MeMaw?”

          Alma tried to lift her left arm to take out the pencil, but weight pinching her heart kept it from moving. “Go get the paper.”

          “We have to go to town,” Dawn insisted. “The papers’re in town. At the court house, MeMaw.” 

          “You look just the same. The first time I saw you, Baby Girl,” Alma’s hand dropped open into her lap. Her words popped out in little skips and sweat wet her face. “Hurry up now. Before dark comes in.”

 

 

Cooper’s Lake Tuscaloosa

Cooper's Lake Tuscaloosa

It was here that Cooper learned to steer his boat!

Fried Chicken and Gospel Music

Hello, hello!

I’m here to introduce my little sister. Her name is Oreo Princess, but we call her Baby Girl. She’s a little puppy doll! You can see that she has my eyes and my coat for the most part. At some time or the other, she slipped into a bucket of white paint and made her belly and inner legs white! When she runs, you see white leg, black leg, white leg, black leg! She’s worth a woof! or two!

A photo of her chewing on a little bone is posted in facebook.

Tonight’s blog is an article my lady published a few years ago about a gentleman from Holt, Alabama: Jack Marshall. I think you’ll find this article fascinating! Mr. Jack is one of the most talented musicians to come out of Tuscaloosa. He still lives here, but his Alberta KFC home office blew away in THE tornado, along with walls of autographed photographs and magazine articles featuring Mr. Jack.

This article was first published in Longleaf Style magazine out of Anniston, Alabama, through The Anniston Star.

I’m out of here so you can paws a bit and read.

Woof! Woof! Have a good week, and I’ll see you next Tuesday!

As always,

Cooper the Cocker

Fried Chicken and Gospel Music

Buckets of fried chicken and Gospel Music. Makings for a relaxing weekend in the Deep South, especially in Alabama.

In the 1950s and 60s, in a country more rural and church-going, Jack Marshall’s name began to resonate among multiple music circuits and around cloth-covered kitchen tables. “Jack Marshall,” painted on apple-red signs, appeared on Kentucky Fried Chicken restaurants he owned throughout four states. Posters announced Blackwood Brothers Gospel quartet performances with Jack Marshall at the piano in bold black letters above a small bottom line mentioning new-comer Elvis Presley. Jack Marshall was making his place. Not yet in his twenties, he was about to change cooking habits and Gospel piano technique throughout the South.

Marshall, native of Holt, Alabama, was born with music waltzing through his veins. By age five, he was picking guitar strings. Next he set out to conquer the violin. Though he played both instruments well, his hands spoke to him of a new music within that no one had ever heard. They knew this music was good. Really good. So Jackie tried piano, listening to and mimicking, at first, his self-taught aunts.

Before this child reached nine years, he was playing piano for the Stallworth Family in Tuscaloosa. So impressed by the quality of his performance, they recommended little Jackie, whom some would call a prodigy, to the classical pianist and instructor Arnold Denson, a blind musician from the Virgil School of Music in Philadelphia. Denson accepted. They toured the country as Denson trained Jackie in various musical styles. Denson taught. Jackie performed. By age 12, he was performing solo classical concerts.

Back in Holt, Jackie moved through his high school years playing piano with the Alabama Cavaliers Orchestra and a jazz group at the University of Alabama. Master pianist Dr. Roy McAllister, head of the piano department at the University of Alabama, heard Jackie play and asked to take him as a student. Jackie continued to absorb every beat, every note, every innuendo he heard, tweak each and make it his own.

But Holt could not hold him. Alabama could not contain the music that pulsed heavier and heavier through his body. The road beckoned.

By 17, Marshall’s forte began molding him into the foot-stomping, leg-jerking piano showman whose name would solidify with the Blackwood Brothers Quartet.  He embraced all music genres, but his love became Gospel, a music he infused with jazz and the new “rock and roll.” Through syncopated improvisations, he developed the power to shoot pumping rhythms straight into the heart of his audience. Music had not only called Jack Marshall, it now possessed him. This music, Jack Marshall’s music, would soon elevate his name to that of national legend.

Mr. Jack and I met in physical therapy, spring 2007. I was grumbling about the fact that, since my surgery, two fingers on my left hand refused to spider-walk across the table. Taunt tendons shot that music degree.

Mr. Jack was wheeled in and parked next to me. His left arm, shoulder to finger tips, was locked in place.

To avoid staring, I talked. First, about his work.

He told me he never really worked. He spent his life doing what he loved: seeing that people had plenty of Kentucky Fried Chicken and playing Gospel music. Ten years for the Blackwood Brothers.

Now I did stare. But not at his frozen arm. I had listened to the Blackwood Brothers throughout the 1950s and 60s. As a teen, I had seen them perform in Jasper. Their life-long fan and a musician myself, I respect the hours of practice and discipline necessary to produce music. I know a sheet of Gospel music is a simplistic harmony guide with words. One thing that makes Gospel Gospel is improvisation. I knew nothing of his traveling years, weeks on end, so people like me could clap joy-filled tempos and wipe away open tears.

But he told me. His family, co-workers and friends told me. He spoke of his medical diagnosis sometime around 2002. Of Parkinson’s Disease that had taken his left arm and hand. Of how he grieved over that loss most of all.

We talked through our PT sessions. I had not comprehended this man’s far-reaching talent. The more I learned the more I recognized how legendary Jack Marshall is.

I was a late learner. People throughout the country, people like Johnny Cash, Porter Wagoner, Chet Atkins, Elvis Presley, recognized his abilities to arrange and play music, even when Mr. Jack was no more than a teen.

Jack Marshall could have stopped with classical music, but he had yet to find the genre that would satisfy the sounds within his head, music that would make his name a household word. He had not yet found that musical world that would close the Big Band Era and open into a combination of jazz, Black spiritual and Country-Western: the world of Southern Gospel. His hands would help create that new world. Freeing his originality, he would reform the music that captivates listeners even today.

Early in his career at 19, he met the Blackwood Brothers and moved to Memphis where they all attended the First Assembly of God Church. Here he would become friends with Elvis Presley.

Growing more comfortable with his music, he saw an opportunity to expand his expertise. During his 20s, he created a piano course, “The Marshall Plan,” from which over 10,000 pupils in 28 countries studied. He also helped design a typewriter that types musical symbols and used it in writing his piano course.

Think Mozart who crashed in his mid-30s. Think Marshall. Fame found both while they were children. But unlike Mozart, Mr. Jack’s career rose higher and higher, establishing national prominence with his performances on the 1950s televised “Arthur Godfrey Talent Scouts.” He and the Blackwood Brothers were the only performers to be invited to compete twice. They won resoundingly both times.

Southern Gospel music is unlike any other. Its core comes from the piano showman. Without a steady rhythm and flawless progressions from one chord to the next, quartet voices can waver. Jack Marshall’s music directed vocalists so accurately they sang as one voice.

Marshall did not simply vamp out a bass beat. He formed impromptu interpretations between each chord, with runs and tinkles and arpeggios, so no moment of the song stands empty. No gaps exist. His music binds listener to piano, to vocalists, as surely as if Fate had made them one.

Marshall’s proficiency and innate talent has provided opportunities for him to perform from Congress to Las Vegas. He played at frequent parties Elvis gave and at the funeral for his mother Gladys.

James Blackwood, in Elvis Presley, remembers that Elvis sent a plane to North Carolina for the Blackwood Brothers,  Elvis’ friends. His mother’s favorite quartet. Her favorite pianist. They were to perform three songs, but Elvis sent request after request back asking for more. They stopped after 12 songs.

Mr. Jack knows his pianos. A Knabe, he knew, like all concert grands is handcrafted, and he wanted this particular one, the one he often played behind the Blackwood Brothers at Ellis Auditorium in Memphis. He bought it for he loved its rich resonating bass, but he sold it to Elvis, who was furnishing Graceland, in 1957.

After having it refinished to a glistening white with white vinyl bench seat and gold-colored bench legs, Elvis moved it into his Music Room. Mr. Jack’s Knabe became the site for all-night jam sessions with musicians who wandered in such as Jerry Lee Lewis and the Blackwood Brothers. Elvis kept the piano tuned for play until Priscilla Presley replaced it with a gold-leafed grand on their First Anniversary in 1969.

The Knabe, Elvis’ most beloved instrument, came up for auction at the Peabody Hotel August 13, 2010, to honor the 75th Anniversary of Presley’s death. The auctioneer called for an opening bid of $1,000,000. Though the piano did not sell, Heritage Auctions is currently discussing a possible post-sale with several buyers who will be willing to pay for this piano’s unqualified tone and history.

The Knabe was just one of the pianos at which Mr. Jack perfected his Gospel technique. YouTube offers over 40 videos of the Blackwood Brothers, many which show Jackie Marshall as the young piano showman performing sometimes on old studio uprights.

Don Frost, creator and producer of the “Music City Gospel Showcase” television show and Frost Bite Records, says, “Jackie Marshall’s music has never been duplicated. His music is on every Blackwood Brothers’ recording RCA Victor cut in 1952. Nobody even came remotely close to his speed and technique. No one would ever second guess that he was the world’s greatest.” Frost is, indeed, correct.

Elvis, his Mama and it seems everyone knew Marshall as the “World’s Greatest Gospel Pianist,” evidenced by the fact he was once a final Jeopardy answer in the “Who is the world’s greatest Gospel pianist”question. He also received the Gospel Music Living Legend Award in 2006 and is an inductee in both Country Music and Gospel Music Halls of Fame.  Former wife Barbara says that his most treasured award is perhaps his 1986 induction into the Alabama Jazz Hall of Fame.

Only two of the original Blackwood Brothers Quartet are still living: Jack Marshall and Bill Shaw, who at 86 still sings tenor. Shaw remembers that the group won eight Grammies and six Dove Awards. He is not clear on how many Mr. Jack was part of, but he knows the quartet received “several with Jackie on the piano.”

Mr. Jack plinks now. He picks about on his nine-foot concert grand at home. For years, he played at his KFC franchise headquarters from where he directs his 25 restaurants and catering business. In time, he used only his right hand. Later, his brother Sam moved the office seven-foot concert grand to his own residence because seeing it saddened Mr. Jack so.

To maximize a piano’s potential, the player must utilize a strength that spreads from shoulder to fingertips. He must use all ten fingers simultaneously. Mr. Jack once had that strength, one that burst forth in masterful agility. No more. His music, nonetheless, continues to radiate from within.

No more can he run a double-time arpeggio from booming bass notes, hand-over-hand, to the opposite end of the keyboard and close with a tingling falsetto ping. Loss of flexibility and strength has made him no less the legend. He perseveres. And, through technology, his music breathes still.

Laura Hunter is an author and freelance writer from the Northport, Alabama area.

 

full face jack marshall0001

Jack Marshall, CEO KFC, Gospel Pianist

Let It Rest

letushelponeanother

Back with you again, Facebook Friends!

Doggone if it’s not hot here. Plant stems are boiling out their juices and drooping their heads. For a while Northport, AL had rain everyday. Then the clouds lost their way and couldn’t find a path back. I need to chat with the weather maker up here to see what’s going on! As soon as I find out, I’ll let you know!

My lady is posting a dog story (of course!) tonight. This is a story about dogs she lost in one way or another. Not me. Oh No. I’m not lost. I’m right here, checking out her every move. Those of you who know me will understand the last paragraphs. Those of you who don’t, just remember that I adopted these people when they needed me most. They had been covered over with grief for years, it seems. I brought a brightness…

View original post 1,395 more words

Let It Rest

Back with you again, Facebook Friends!

Doggone if it’s not hot here. Plant stems are boiling out their juices and drooping their heads. For a while Northport, AL had rain everyday. Then the clouds lost their way and couldn’t find a path back. I need to chat with the weather maker up here to see what’s going on! As soon as I find out, I’ll let you know!

My lady is posting a dog story (of course!) tonight. This is a story about dogs she lost in one way or another. Not me. Oh No. I’m not lost. I’m right here, checking out her every move. Those of you who know me will understand the last paragraphs. Those of you who don’t, just remember that I adopted these people when they needed me most. They had been covered over with grief for years, it seems. I brought a brightness to their lives. They adore me for what I gave them. I love them for what they gave me. We’re kindred spirits. Much like what Mr. Wilburn Hudson says:

The World According to Wilburn Hudson

We are continually called to “answer the same old question. . . . Am I my brother’s keeper?”

I believe we are. Brothers – Sisters – Mothers – Fathers- Aunts- Uncles – Neighbors – Pets.

               Let It Rest

 My life is punctuated by mistakes. Many mistakes. One of the most serious occurred when I was a sophomore in college. Driving home one night, I saw a weak, scantly-furred dog wobbling down the side of the road. I stopped. The dog was rib-cage thin. I knew that if he didn’t have help, and soon, he would die.

Icy rain didn’t keep me from getting out of the car. Rain struck my face like steel needles. I scooped the dog up and put him in the passenger seat next to me. He huddled down and made no attempt to rouse his head.

At home, my mother reprimanded me for bringing in a stray dog. “Don’t we have enough dogs as it is?” she asked.

I put him on a towel in the center room next to the large coal-burning heater and waited for my daddy who could cure any dog of any ailment to get home from work. I tried to get the dog to eat bread. Nothing. I tried warm milk. Nothing. He lay on the towel watching me, as if he had accepted him fate.

That he would die, Daddy confirmed when he came home. “That dog won’t make it through the night,” he said. I assured him that he could fix the dog. He had fixed every dog that had ever had an ailment for as long as I could remember. “Just let the dog rest,” he said. And he went to bed.

I sat with the dog after all lights were out. Intermittently, through the night, I would reach over, stroke him and check to see that his heart was still beating. Sometime during the early morning hours, his breathing stopped. I cried. I sobbed over a dog I had known less than one night. I had so wanted him to recover, and he had refused to live.

Daddy got up to go to work at 3:00. There I sat, cradling the dead dog in my lap, wide awake. “Here,” he said. “Let me take him out and bury him in the garden.” He bent down and took the dog out into the darkness, a flashlight in his jacket pocket. When he came back inside, I was still by the stove, sitting cross-legged as if I rocked the dog in my arms. “Go to bed,” Daddy said. “You’re tired.”

I went to bed. My mother, not knowing that I had been up all night, woke me at seven to get ready for classes. I walked into the kitchen, my pajamas barely wrinkled.

“You had no business bringing that dog in here,” she greeted me.

“I thought Daddy could fix it. He could have fixed it if he had tried.” I felt more tears rising.

“That dog had distemper. You should have known that. Now you’ve brought it in here and exposed all your daddy’s dogs.”

My knees sagged beneath me. I had no idea. I knew how Daddy valued his dogs. I would have thrown myself in front of a truck before I hurt one of them. And now I had done this. Why didn’t he tell me when he first saw the dog? Had he told me, what would I have done? I couldn’t have killed the dog. That wasn’t in me.

In retrospect, I have wondered if Daddy told her that the dog was diseased. She knew little about Daddy’s dogs and cared even less. She would not have recognized the symptoms of distemper any sooner than I would. Distemper is a disease that never entered Daddy’s kennels. It spreads like Egyptian plagues. Perhaps even faster. There was no cure. It killed all it touched.

My daddy never said one disparaging word to me about what I had done. Once the dog was in the ground, the incident was over. He understood what my intentions had been. He saw no need to undermine my intent. But I think my guilt in exposing his dogs, if I did expose them, if the dog did have distemper, might have been easier to carry had he railed at me with sharp words. But that was not his way.

I did kill a dog. A dog on Highway 69. I can show you the place. Describe the dog in exact detail. I often see the dog, right where it happened, when I drive into Northport. He, too, or perhaps this time the dog was she, was on the side of the road.

The little dog resembled a lap dog mix. Gray and white. Muddy. Thin. Unkempt and matted. Obviously lost. The dog trotted up the highway, then turned around, I observed in my rearview mirror, and trotted back the way she had come.

I recalled the incident with the wintertime dog. This time I won’t screw up, I thought. I turned around and pulled into a road that cuts through Vestavia. I parked the car and got out, calling the little dog back. She trotted on, meeting traffic that flew through the dip and up the hill toward me.

Then she did the unbelievable. With no on-coming traffic, she crossed the road, coming toward me. I stood near the middle of the highway. She ran toward me.  Out of nowhere came a monster of a car. The car hit the little dog right there in front of me. With me standing in the other lane, the car ran over the little dog. Then another car, right behind the first, picked up its bloody body and threw it toward me. I stood there in Highway 69 screaming and crying, the dog at my feet. Neither car stopped.

I lifted the broken mass and laid it on the grass away from the highway, and I came home. When I entered the door and saw Tom, I broke. I wept so hard he could barely understand what I was saying.

“I killed a dog,” I sputtered. “I killed a little dog. We have to go back and bury it.”

“It’s okay,” he said. “Did it run out in front of you?”

“No, I was standing in the middle of the road and the dog was coming to me so I could bring it home and feed it and a car came and hit it and another car came and hit it and I killed it.”

“No, you didn’t,” he assured me. “Somebody else killed the dog. The person who let the dog get lost killed the dog, not you.”

“But I called her to me. If I hadn’t. . .”

We did not return to bury the dog. I saw its body melt into the ground as it weathered away each day as I drove to work.

Now here I sit, facing it. Another dog is at issue.

We have a chance to get a puppy the same breed and same age as Cooper. I think we both need the puppy because Cooper brought us so much joy. He loved us both unconditionally, as no other dog ever has.  Logic tells me I didn’t kill the roadside dog. I didn’t sicken any of Daddy’s dogs. I didn’t actually kill the lap dog. But logic doesn’t always reign in my world. I tend to be ordered about more by my heart than by my head. So I hesitate. I drag my feet and the reality of the puppy gnaws at me.

Why can’t I face getting another puppy? Not because I think I’ll kill it. Thought had I been more attentive the day Cooper was killed I would have had him in the house, rather than outside. But I refuse to carry a burden that is not mine.  That burden belongs only to Fate.

I can face the truth. I hesitate about getting another puppy because I am afraid that Tom will be disappointed in a different puppy. And that would be my worse mistake yet.

 

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